For Whom He Tolls
Assistant Director
1st AD
Kendrick Hudson
Bio
I Hope They Serve Beer in Hell (2009) (post-production) (assistant location manager) Skateland (2009) (post-production) (location manager) In the Electric Mist (2009) (assistant production coordinator) ... aka Dans la brume électrique (France) "Hallmark Hall of Fame" (assistant location manager) (1 episode, 2008) ... aka "Hallmark Television Playhouse" - Front of the Class (2008) TV episode (assistant location manager) Soul Men (2008) (location scout) W. (2008/I) (assistant location manager) ... aka Oliver Stone's W. (Germany: TV title) ... aka W. - Ein missverstandenes Leben (Germany: DVD title) The Last Lullaby (2008) (assistant production coordinator) Distortion (2006) (production coordinator) Aliens of the Deep (2005) (production assistant) The Race for Space: Ansari X Prize (2004) (TV) (production coordinator: Mojave) "Next Action Star" (2004) TV series (production assistant) (unknown episodes) Skeleton Man (2004) (TV) (key set production assistant) Ghosts of the Abyss (2003) (production assistant) ... aka Titanic3D: Ghosts of the Abyss (Australia: IMAX version) Actor: In Production 2000s Skateland (2009) (post-production) .... Chris musicland manager Outside Sales (2006) .... George chambers Last Mysteries of the Titanic (2005) (TV) .... Coal stoker Patients (2004) (TV) .... Tiny Art Department: Oranges (2009) (V) (leadman) Sinner (2007) (leadman) Big Bad Wolf (2006) (leadman) Production Manager: The Raven (2004) (production supervisor) Patients (2004) (TV) (production supervisor) Producer: Outside Sales (2006) (producer) Sound Department: Nursie (2005) (boom operator)
1st AD- Job Description
The First Assistant to the Director. S/he operates in cooperation with the Director and the Production Manager as the Producer's administrative consultant applying his/her artisits, technical and professiona expertise as the on set expediter and is responsible for maintaining optimum coordination among crew categories and performers in order to maintain the pace required by the shooting schedule as set by the Director.
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