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Un dimanche a Kigali: Review: Media Film:
Published on: June 20, 2006
Read More »Générique
Québec. 2006. Drame sentimental.
Réalisation et scénario: Robert Favreau, d'après le roman «Un Dimanche à la piscine à Kigali» de Gil Courtemanche.
Photographie: Pierre Mignot.
Montage: Hélène Girard.
Musique: Jorane.
Avec Luc Picard, Fatou N'Diaye, Céline Bonnier, Luck Mervil, Maka Kotto, Louise Laparé.
118 min.
Résumé
Kigali, printemps 1994. Alors qu'il tourne un reportage sur le sida au Rwanda, le journaliste québécois Bernard Valcourt est témoin des tensions grandissantes entre les communautés Tutsis et Hutus. Depuis le chic Hôtel des Mille Collines, où il loge, et où travaille Gentille, la serveuse dont il est épris, Valcourt tente d'expliquer aux médias canadiens les causes du conflit imminent. Or, celui-ci éclate avant qu'il n'ait eu l'opportunité d'épouser Gentille afin de la doter de la protection diplomatique. Dans le chaos, les deux amoureux sont bien vite séparés. Après avoir passé plusieurs mois bloqué à la frontière, Valcourt revient dans la capitale, complètement ravagée, dans l'espoir d'y retrouver Gentille. Mais la jeune femme est introuvable.
Critique
Plutôt que de se livrer à une reconstitution historique, dans l'esprit de HOTEL RWANDA, Robert Favreau (LES MUSES ORPHELINES) a opté pour une évocation impressionniste et fragmentée du génocide de 1994, dont l'histoire d'amour constitue le révélateur. Il résulte de ce parti-pris timide un film émouvant, mais étrangement peu percutant. Émouvant parce que les deux protagonistes (excellents Luc Picard et Fatou N'Diaye) défendent avec ardeur et conviction un amour contrarié, d'abord par la culture, puis par la haine et le cauchemar. Peu percutant parce que le Rwanda blessé et surpeuplé, où le film a été tourné, transparaît à peine dans les images, pourtant fort belles, de Pierre Mignot. Outre quelques tentatives d'amplifier l'inquiétude ou l'horreur par des effets de mise en scène, celle-ci s'avère, dans l'ensemble, classique et sans aspérités. À l'image, somme toute, du scénario: un brin didactique dans ses moins bons moments, d'une éloquente sobriété dans ses meilleurs. (Martin Bilodeau)
Remarques
Adolescents (Violences meurtrières filmées avec retenue. Une scène de viol d'une rare brutalité. Situations à caractère sexuel. Nudité partielle). -
Sunday In Kigali: Ottawa Express; Members' Reviews
Published on: June 20, 2006
Read More »Undescribable...
In this movie, you re-live Rwanda's genocide in the context of a love story between a white man from Quebec and a young and beautiful Hutu.
This movie is simply undescribable....it will make you cry, it will make you angry, it will make you think, it can be all of the above, but one thing is for sure: it will make you react.
One thing I loved about the movie is the way they opposed the present and the past. It gave to the movie kind of a `''before and after'' dimension, which was quite interesting. There is one very intense part were they mix up the present and the past like it happens at the same time, that part is extremely well made.
And Luc Picard, what can I say about his acting? He is simply amazing and connects in an incredible way his character. About Fatou N'diaye, she is just so beautiful!!!
One critic that I would make though, is about the choice of actors. Maybe it touched me more because I am African myself, but it really showed that some actors weren't from Rwanda or even from Africa, some of them even had french accents! That bothered me a little. But for the rest: the setting, the story itself, they were absolutely fantastic.
That movie is a MUST-SEE and will probably win a lot of prices in the futur.
Mylene Otou April 22, 2006
Unforgettable
Watching this heart-wrenching film I couldn't stop wondering how many more movies, books and reports it's going to take before we realise that we have to do something. It's great that we remember these people and are made more aware of the human face of their suffering, but what will we do if it happens again? What are we doing about it now, in places like Afghanistan and Iraq?
In 'Shake Hands with the Devil', Dallaire talks about some risk assessment types from the US government who come to study whether or not the States should send in troops. They said "There's no gold, or oil, or diamonds...just agriculture and lots of negroes".
It's all too easy to just sit there and watch the news coverage of another war-torn area in Africa or the Middle East, safe in the knowledge that it is not happening to us, but them. More Western powers could have supported the UN mission in Rawanda, but decided not to. Yet when it is us who are attacked, we flatten a whole country.
We need to get past this 'us' and 'them' mentality, past the notion of 'not in my backyard' to 'not in my world'. We can only learn from past mistakes, and emotionally challenging films such as Un Dimanche à Kigali serve to educate us, and not let us forget. A world of WE has to be created, away from the individualistic to the collective, where the colour of our skin, our ethnicity or creed does not matter. Perhaps this is the paradise that Gentile's father was hoping for, one we should all strive towards.
Ellen Reid April 13, 2006
Un Dimanche à Kigali
This movie is not really about the genocides that happen in 1994 in Africa but more about this tragedy affected the life of two people that were in love and how much love can be a painful thing at time.
This movie isn't "Hotel Rwanda" at all, but it's a good addition to it so if you did like "Hotel Rwanda" and want to see the Canadian side of this story you got to go see this movie because it might be one of the best Canadian movie made this year.
Martin Rioux April 11, 2006
A Must-See!
I saw this powerful heartbreaking drama at an advanced screening and also present was Luc Picard (the main lead actor in person) This heartwrenching movie,the horrors of the 1994 Rwanda genocide and the many images shown in this compelling and riveting film will stay with me for a long time. It was also a love story (doomed from the start )between this Québec journalist and Rwandan waitress that took place in 1994. Many scenes touched me profoundly,especially the brutal sexually abuse of women and the many killings of men and children that made me appreciate my freedom and liberty in my country. This movie is as powerful as Hotel Rwanda film that I saw ,not too long ago. A wake-up call to all of us!
Oscar winning nomination to Luc Picard for his excellent portrayal of the journalist:for he is in practically every scene. Gorgeous beauty Fatou N'Diaye was remarkable in her role:especially those love scenes, torture scenes and the final sad ending.
Highly recommended!
Another good Québec film!
Don't miss the movie!
Vicky Parisella April 10, 2006
The *original* pre-emptive critique of..."Un Dimanche à Kigali" or a beautiful love story worth watching set against a most brutal backdrop
Melodramatic? Probably. Powerful? Undoubtably. I'll grant you that it's slipping in under the radar but take a step back and look, really look at what this movie's got going for it. An incredible love story set against a brutal but beautiful backdrop with some amazing cinematography and a cast that looks to be on it's A-game. I don't know Fatou N'Diaye that well but in the clips I've seen she mesmerizes and then there's Luc Picard who's never given a bad or boring performance. If you need a better reason to watch this movie than your eyes can see here then I simply don't know what to say.
Pedro Eggers April 10, 2006
Un Dimanche à Kigali - The early review
To tell you the truth I haven't seen that many movies with Luc Picard but from what I can see and am told, he is a quality actor. Having seen the trailer a couple of times I can safely say this will be an intense and thoughtful film to watch. Set in Rwanda the movie examines the love story of two seemingly different people that get together only to be torn apart.
The story deals with the Rwanda massacre and details the struggle and terror the residents have to go through. Likewise, what I see from the preview, we also get a glimpse to the tenderness and intimacy that's essential during the trying times. A moving picture sure to gain praise and attract moviegoers.
Angelo Vernucci April 5, 2006
Drama
The story is set in 1994, in Rwanda. A white man and a black woman fall in love and get married, despite their differences. But the subsequent war and massacre separate them, and the man returns to Rwanda months later in hope of finding his lost wife.
A love story that finds itself torn apart by one of the most terrible massacres of the end of the 20th century.
Anais Hutin April 2, 2006
http://www.ottawaxpress.ca/film/movie.aspx?iIDFilm=9426 -
Sunday In Kigali: Playback - Article - Kigali hits the million-dollar mark
Published on: June 18, 2006
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Kigali hits the million-dollar mark .
The Quebec political romance Un dimanche à Kigali passed the million-dollar mark at the provincial box office late in May, going on to net $5,600 over the June 2 weekend, according to distributor Equinoxe Films.
Playback Magazine, June 12, 2006
The Quebec political romance Un dimanche à Kigali passed the million-dollar mark at the provincial box office late in May, going on to net $5,600 over the June 2 weekend, according to distributor Equinoxe Films.
Kigali's total take stands at just over $1 million going into its eighth week, during which it dropped from 10 screens to three.
Equinoxe is "extremely happy" with its performance, says Michèle Laroche, director of theatrical distribution, adding that it is under consideration at the Toronto, Venice and Locarno festivals.
"We have our fingers crossed now. What festivals we get into will determine our release strategy internationally and for the rest of Canada," says Laroche.
The film, a true story based on the critically acclaimed Gil Courtemanche novel, has benefited from overwhelmingly positive reviews and a strong interest by the Quebec public in the issues surrounding the Rwandan genocide. Luc Picard stars as a documentary filmmaker who falls in love during the unrest of the mid-'90s.
Meanwhile, Souvenir of Canada, the documentary based on the obsessions of cult Vancouver author Douglas Coupland, has hit $12,000 going into its second week, according to distrib Maple Pictures, playing on one screen each in Vancouver and Toronto. It will expand to Calgary and Ottawa on June 30 (in time for Canada Day) and in Regina in mid-July.
"We are relying on word of mouth, a lot of Douglas Coupland fans showing up and enthusiastic reviews," says Domenic Mangone, director of theatrical distribution for Maple Pictures.
Fetching Cody, the sci-fi, time-travel love story, opened in Toronto on May 26 on one screen, taking a paltry $634 in its one-week run.
After two weeks in Vancouver back in March and the June 2 weekend in Montreal, it has brought in $7,412, according to Capri Releasing.
"Fetching Cody didn't do very well in Toronto, but the critics savaged it there," says GM Robin Smith. "Toronto critics in particular seem especially hard on Canadian films."
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Mr. Rice's Secret: IMDB's Review
Published on: June 16, 2006Mr. Rice's Secret not rated 92 minutes New City Distribution starring Bill Switzer, David Bowie, Garwin Stanford, and Zack Lipovsky written by J.H. Wyman directed by Nicholas Kendall A Review by Frankie Paiva David Bowie isn't exactly the person you would expect to be appearing in a family film. Even stranger is that he's in a film having to do with such serious material like death, fear of death, and growing up with Hodgkin's disease. The surprising secret is that Bowie is the best part of the movie. While given first billing, he's in no more than ten minutes of the picture, but his voice, messages, and spirit live on in the main character. That character is Owen Walters (Bill Switzer) a nearly friendless young boy with Hodgkin's disease. The two spend a lot of time together. Owen looks for support, care, and advice in Mr. Rice when his parents aren't providing it. I'd be running to this guy too. The parents (played by Teryl Rothery and Garwin Standford) apparently love their son very much. However, all these clueless two ever do is make their child's situation worse by not encouraging him or answering his questions. They are unawares to the feelings their child is experiencing. Other characters include the stereotypical fat and stupid bully (Jason Anderson), and a leukemia suffering boy (Richard de Klerk) who is more accepting of his condition than Owen is. Together these people could make quite a tedious tense family drama, and at many times they do. Helping things move along though is the pursuit of treasure. When Mr. Rice dies, he leaves behind a decoder ring and code so Owen can find his secret. Soon Owen is digging up dead bodies, breaking into houses, and discovering lost keys that could all lead to Mr. Rice's secret. It's quite plain what the secret is early on in the film, but the journey is exciting and I was waiting to see what Owen would do with it. Despite some somewhat solid performances, particularly from its lead, there isn't a huge reason to see Mr. Rice's Secret. There isn't a reason to see it with the kids either. This certainly isn't a family film, even though it's marketed as one. The themes of death will be too heavy and boring for most children and the film contains an awful lot of unneeded swearing and a very brief sexual image. The problem is simple. I counted at least ten noticeable clichés I had all seen in, at minimum, five other movies. Thinking back, it's hard to recall a part of Mr. Rice's Secret that seemed original, witty, or unique. Cliché ridden movies are not always bad, but the emotion exhibited by the actors is faker than Cher's body. Last year, October Sky managed to be entertaining and sad even though it too was cliché ridden. However, that movie had much better actors. This isn't to say director Nicholas Kendall doesn't pull some things off. One character has a very funny stuttering punk brother, and there is a great close-up shot of ants feeding on a rotten apple in one frightening scene. There is also a very funny discussion about how authority figures (like parents) are meant to get lied to. Even so, I doubt parents want their children learning that you can dig up graves in the middle of the night and get away with it. They probably wouldn't want kids to blackmail their siblings, or know you can always sneak out your bedroom window without ever getting caught either. Additionally, we must not forget the most important lesson of all. Whenever you punch a fat person in the stomach, they always cry. I do appreciate the attempt to capture young boy's friendships and their true meaning, but this movie is just a depressing sham. The difficulties Owen must face never rise above the after-school special drama level, and when I figured out the ending about thirty minutes into the movie that didn't help either. I got continuously reminded of an Aesop fable the entire time, thinking that each scene was there to teach me a lesson, and they do. Perhaps the film will be an inspiration to children with Hodgkin's, leukemia, or other types of life threatening diseases. It shows that you can succeed, have friends, and triumph in life if you are only willing to try and prove yourself. The actors tried, and almost flourished. Mr. Rice's Secret isn't a guilty pleasure; it's more of a guilty emotional enjoyment. Even if I knew what was going to happen, I still left with a feeling of happiness. There just wasn't enough real emotion or material happening in the story to get this thing off its feet, or for me to rise up and cheer. C- Frankie Paiva The review above was posted to the rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews). The Internet Movie Database accepts no responsibility for the contents of the review and has no editorial control. Unless stated otherwise, the copyright belongs to the author. Please direct comments/criticisms of the review to relevant newsgroups. Broken URLs inthe reviews are the responsibility of the author. The formatting of the review is likely to differ from the original due to ASCII to HTML conversion. Related links: index of all rec.arts.movies.reviews reviews
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Mr. Rice's Secret: Q Network's Review
Published on: June 16, 2006Q Network's Review of Mr. Rice's Secret Mr. Rice's Secret Director: Nicholas Kendall Screenplay: J.H. Wyman Stars: David Bowie (William Rice), Bill Switzer (Owen Walters), Teryl Rothery (Marilyn Walters), Garwin Sanford (Stan Walters), Richard de Klerk (Simon), Zack Lipovsky (Funnell Head), Jason Anderson (Veg), Tyler Thompson (Gilbert), Campbell Lane (Mr. Death) MPAA Rating:NR Year of Release: 2000 Country: Canada Mr. Rice's Secret is a children's film about dealing with death. There are not many films aimed at kids that deal with this topic because, in Western society at least, we feel the need to protect them from it. Why? Death is part of the natural cycle of life, yet there is an enduring belief that children somehow cannot comprehend it--as if they are not part of that cycle and need to be protected from it. Of course, there is one small segment of children who know death intimately: those with terminal diseases. The central character of Mr. Rice's Secret, Owen Walters (Bill Switzer), is one of those children. A 12-year-old who is fighting Hodgkin's Disease, Owen has spent a great portion of his life in and out of hospitals and chemotherapy sessions, surrounded by other children who are all-too-aware that their time on earth will not be as long as most people's. One of those children is Simon (Richard de Klerk), a young boy with leukemia who wants to be Owen's friend. Owen resists Simon's friendly advances because his own group of friends doesn't particularly care for Simon, plus Owen wants to distance himself from a boy who he deems to be sicker than he is. Many adults, including Owen's parents, want to put Owen and Simon in the same category because they are both "sick," but one of Owen's defense mechanisms to protect himself from the emotional pain of his own condition is to construct a hierarchy of sickness in which he can feel better about himself because he is not as sick as Simon. At the beginning of the film, Owen is faced with death in another, and in some ways more painful, way: His neighbor and good friend, a mysterious man named Mr. Rice (David Bowie), has just died. Owen's parents (Teryl Rothery and Garwin Sanford) don't want him to go to the funeral, but he sneaks to the church anyway and secretly videotapes the ceremony. Later, Owen and three of his friends, Funnell Head (Zack Lipovsky), Veg (Jason Anderson), and Gilbert (Tyler Thompson), decide to sneak into Mr. Rice's empty house in order to watch the videotape. While in the house, they stumble upon a trunk filled with photographs and old letters, one of which is still sealed and addressed to Owen. Owen opens the envelope to find a letter written in code, which he decodes using a special ring Mr. Rice had given him. This leads him to series of clues, each of which leads to more clues, which eventually leads to the answer posed by the film's title: What is Mr. Rice's secret? What Mr. Rice's secret is becomes fairly obvious early on, but it doesn't prove to be a real stumbling block because the real question becomes what will Owen do once he discovers the secret. The construction of the narrative is clever in that it creates a boyish mystery-adventure that screenwriter J.H. Wyman can use to wrap about his larger themes about the relations between childhood and death. The film is in no way didactic or preachy about its admittedly heavy subject matter, which is perhaps its greatest strength. The film benefits from several strong performances, especially by the young, largely unknown, cast. I was particularly impressed by Bill Switzer's performance as Owen. The role is complex and deeply felt, and it requires him to go through a number of character changes and mood swings without being false or obvious. He handles Owen's multifaceted nature extremely well, without once becoming cloying or disingenuous. However, Mr. Rice's Secret does have a few problems, most of which are related to Wyman's script. One of the largest problems is the lack of presence by Mr. Rice in the narrative. By showing him only in flashbacks that constitute less than 10 minutes of the running time, the film creates a strong sense of mystery and aura around the man, but only to the detriment of the human relationship between him and Owen. How did they meet? Why did they become such good friends? The few scenes that Owen and Mr. Rice have together are so well done that it makes you yearn for more of them. The only other reservation I have is part of Owen's search for clues to unravel the mystery of Mr. Rice's secret. It becomes clear right at the start that Mr. Rice has carefully constructed this scavenger hunt for clues--he wants Owen to find each clue and move closer to uncovering the secret. With that in mind, it is deeply disturbing that part of this preplanned adventure entails Owen having to dig up Mr. Rice's coffin in a graveyard in order to retrieve one of the clues, which is hidden inside. There is a great deal of joking between Owen and Funnell Head (who enlists the help of his delinquent teenage brother) about what a sick act this is (not to mention illegal and, in some people's minds, a desecration). Their conversation is intended, I suppose, to lighten the mood, but it only emphasizes how severely out of place this particular plot point is. Obviously, Wyman intended for Owen's search to be a challenging adventure. But, there are so many other possibilities besides digging up a dead body that could have posed a great challenge. Perhaps the moment is intended to be symbolic--Owen's having to come face-to-face with death physically incarnated as Mr. Rice's corpse--but it doesn't work because the uneasy literalness of the scene is too off-putting. If you can ignore that section of the film, Mr. Rice's Secret has a great deal to offer. It is that rare "family film" (I dislike using that term because it seems to imply a lack of anything that might make anyone uncomfortable) that challenges both the young and old alike to ponder something difficult, yet universal. Dealing with weighty issues in films aimed at a younger audience requires a careful touch, and director Nicholas Kendall does a fine job of making Mr. Rice's Secret entertaining while also allowing it to about something. It is also realistic about kids and the fact that they cuss, they are often cruel to each other, and they often do the wrong thing. But, they often do the right thing, as well. Kids who see the movie will easily relate to the young characters, and hopefully will take away the lesson that, while Owen is hardly perfect, in the end he does what is right. Too many kids' films want to think that modern kids are shallow, attention-span-deprived simpletons who just want to be wowed with cool visuals and loud music. Mr. Rice's Secret is a film that might make them think. Overall Rating: (2.5)
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